Showing posts with label Elucid. Show all posts
Showing posts with label Elucid. Show all posts

Tuesday, September 23, 2014

A Suite For Souled People


You really can change the world if you care enough -Marian Wright Edelman

Following the murders of Sean Bell, Trayvon Martin, Eric Garner, Victor White, etc. etc. etc., the murder of Michael Brown by the police in Ferguson has been weighing heavily on us. Feeling more than a little helpless about the state of racial inequality, Paul created a beautiful and heartbreaking response: a three movement suite, entitled A Suite For Souled People featuring Elucid, Curly Castro and Billy Woods.

"Souled People" is both a reference to African Americans as soul brothers and sisters and as the descendants of slaves - “sold people.” Paul’s family has traced their family lineage from their arrival on some of the earliest slave ships to when they purchased their freedom in the 19th century. My family has also traced our lineage. Back to when mine were slave owners. In some respects, it’s heartening to see how far things have come in the past 150 years. But just because we don’t enslave people anymore doesn’t mean that we all have the same freedoms.

Paul and I know we want to have children one day. As each of these tragedies has repeatedly lacked the judicial response deserved, the reality of having a black child in America has begun to sink in. My children will be faced with so many difficult situations that I was never exposed to during my own childhood.

When I was still dating Paul, I heard the following claim more than a few times: this world is hard enough so why make it more difficult for myself and my children. Basically, I should choose to “stay white” and not deal with those injustices; the implication being that this is just the way the world is and there is nothing you can do to change it, so let it stay “their” problem.

If society really is as horrible as they seem to think, then thank goodness I found such a strong and caring person to help me navigate it. It seems more critical to find someone you can trust than accommodate a bunch of people you don’t. At the end of the day, the world is scary and hard for everyone.

I recently read an article from the website, Black and Married with Kids. Curious about a family website intended only for black people, I started browsing. And then I found an article that made me realize this website was for me too. Entitled How I’m Preparing My African American Son to Live in Today’s Society, it’s a mother’s guide to instilling confidence in her black son, as well as her advice on how to be safe, including a section about interacting with the police. I recommend reading it. It reminded me of Woods’ verse in the third section of the suite:

“but it's on you Boy to keep those hands in plain sight
Don't touch your belt
reach for your wallet
or happen to be holding your cell
normal speech is a yell yelling is a reach for the gun
silence an admission of guilt
Don't try to walk away
if you're running then run!
if you're smart play dumb
Don't get caught in the slums or a nice neighborhood you ain't from
if you need help Don't call 911”

The first time I heard those lyrics, I cried. Because we’ve been shown time and time again that this is a reality for young black men.

When we decide that some people are less worthy of basic human rights, whether based on race, gender, sexual orientation, nationality, etc., we lose a little bit of our own humanity and we pass along that inequality to the next generation. Not to mention, fostering a corrupt police force can’t be good for anyone in the long run. We need to be able to hold people accountable, as much as we need to listen to alternative perspectives.

Tuesday, March 25, 2014

Corporate by Day, Rap Show by Night

Dressing is always tricky when I know I’m going straight from work to a rap show. Occasionally, I’ll bring my evening outfit to work and change before leaving. Obviously I prefer not changing in a bathroom stall, so I've reached back to my Cosmo magazine days to try and choose clothes that “transition from day to night”. Mostly I just throw a blazer over evening outfits and that’s a pretty quick fix. Or sometimes I wear work skirts over mini dresses and then lose the skirt before I head out.

It didn't use to be as difficult. Working in the arts generally means a more relaxed office attire, so I could get away with wearing trendier outfits on rap show nights. But now that I work in an auction house, it’s pretty corporate. Blazers, suits, business attire. But on rap nights, sacrifices must be made and I might not look as professional as usual.

Corina Corina’s release party for her album, The Free Way, was last Wednesday night. Paul produced the album and was involved from start to finish, so it was almost as important a night for him as it was for her. Which meant I had to look fresh. After tearing through my closet, I found a black and white patterned dress and paired it with a clunky gold-tone necklace. Inappropriately tight for work, so I threw on a long sweater that came off as soon as I walked into the venue. Done.

This is the second album they've done together, and it’s clear there is a lot of mutual trust. She gave Paul freedom to experiment and get creative with the production on this one. Paul and I have been really into heavily produced albums lately. After Paul made his album, We Live In The Future, we started noticing how many major label artists were also experimenting with beat changes and more elaborate arrangements. Justin Timberlake’s 20/20 Experience, both of Lana Del Rey’s albums, and most recently Pharrell’s GIRL. We listened to those albums a lot, and they were a source of inspiration for the production on Corina’s album. And allow me to have a brag moment, but Village Voice just called Paul one of East Coast's indie rap "it"-producers.

Paul also acted as musical director for the show. It was Corina’s release, so he wanted her on stage all night. She was joined by her four guest artists (rapper Henry Canyons even flew in from LA!), who also performed their own material. Paul arranged their solo sets to follow the joint songs they had with Corina. Which meant that she got to keep getting back on stage to perform instead of having a designated set time. I don’t think Corina’s smile could have been any bigger.

I know how much work goes into this, and I am so proud of how it sounds. The album's been on repeat on my iPod since it dropped, which is impressive, considering I've heard it a million times over the past year. But I've come to love listening to the transformations as an album evolves and gets fleshed out. When an album is finished, it's always something worth celebrating. And getting dressed up for.

Pictures from Corina Corina's release show. All photography © 2014 c. bay milin:
Corina Corina performing The Free Way
Melissa Czarnick on America, America
Willie Green, Corina Corina, and Johnny October
Dan Dillinger
billy woods
Angi3
Henry Canyons
Corina Corina and the perpetually mysterious billy woods